We’ve officially crossed the mid-way point of 2025, and Nigeria’s music scene continues its relentless delivery of hit songs and its vibrant evolution.
The first six months of 2025 have seen a whirlwind of songs, from established giants reaffirming their dominance to exciting new voices who have carved out their space and remained top of our minds despite being relatively unknown a year ago.
The sonic landscape is richer, more experimental, and still undeniably global. We’ve sifted through the bangers, the sleepers, and the chart-toppers to bring you a definitive (and highly debatable) ranking of the best Nigerian songs released between January 1 and June 30, 2025.
This isn’t just about streaming numbers; it’s about impact, innovation, replay value, and that undeniable “it” factor. In no particular order, let’s dive in:
Famous Pluto -Na Scra
Most of us did not know Famous Pluto until the release of this catchy banger in March 2025. Famous Pluto, one of the Uzama Brothers (or Uzamigos as I like to call them), uses street slang and his native Edo language to sing about making money to fund a life of debauchery. The song is significant in proving that different styles can break into the mainstream; it remains a mainstay on many playlists, gathering over 15 million streams on Spotify in the half-year.
Burna Boy – “Ta Ta Ta”
Burna Boy rarely misses, and “Ta Ta Ta” is a testament to his consistent genius. Although the track took some time to grow on listeners, it is a masterclass in Afro-fusion, blending his signature gruff vocals with a pulsating rhythm and pristine production that’s menacing and irresistibly danceable. Travis Scott also delivers one of his most impressive verses for the genre,
Davido & Omah Lay – “With You”
The collaboration we didn’t know we needed, but now can’t live without. With You is a banger that perfectly marries Davido’s infectious pop sensibility with Omah Lay’s melancholic, soulful delivery. Inspired by Bright Chimezie’s “Because of English,” this song displays the best of both artists and is arguably the song of the summer.
Rema – “Baby (Is It a Crime)”
Rema continues to push boundaries, and “Baby (Is It a Crime)” is a testament to his artistic growth. Considering the rave of an album he released last year, his first track of the year caught everyone by surprise. It is slower, darker, and more introspective, yet still samples Sade Adu’s ‘Is It a Crime’ and carries that signature Rema allure. It’s a bold move that pays off, proving he’s not afraid to explore new sonic territories and emotions.
Olamide & Wizkid – “Kai”
When two legends collide, expectations are sky-high, but these two have not disappointed since their first link-up in 2011, and “Kai” delivers. Olamide’s street-savvy lyricism meets Wizkid’s effortless melodic charm over a beat that’s both gritty, groovy, and nostalgic for some reason.
It’s a track that feels instantly classic, a nod to their enduring legacies while still sounding fresh and contemporary. “Kai” is a reminder of why these two remain at the pinnacle.
Asake – “Why Love”
Asake’s Midas touch continues to turn everything to gold, even outside of YBNL. “Why Love” is another testament to his unique blend of different genres. It’s infectious, energetic, solemn, and carries that signature Asake chant-along quality.
Shallipopi – “Laho”
Shallipopi’s persona is fully embodied in “Laho.” This track is pure, unadulterated street pop, featuring a raw and unfiltered energy that’s impossible to ignore. The production, his distinctive flow, and Benin-influenced ad-libs make “Laho” an instant earworm that has travelled overseas. The remix with Burna Boy was not half bad.
Ayra Starr & Wizkid – “Gimme Dat”
Ayra Starr and Wizkid on a track is starting to become a dream collaboration, and “Gimme Dat” lives up to the hype. Ayra’s fierce, confident vocals perfectly complement Wizkid’s laid-back, charismatic delivery as the OG that he is. Gimme Dat sensual, mid-tempo bop that oozes cool and sophistication, showcasing the undeniable chemistry between the two.
Olamide – “Billionaire’s Club”
Olamide’s “Billionaire’s Club” is a reflective, aspirational anthem that can only come from Olamide. It’s less about the street bangers and more about the journey, the grind, and the success. The collaboration with Wizkid does not disappoint, but Darkoo further elevates the track and makes listeners feel rich no matter where they are. One report described it as the kind of song that would make you price a G-Wagon for no reason, and we could not agree more.
Seyi Vibez – “Shaolin”
Seyi Vibez continues to solidify his unique sound, and “Shaolin” is a standout. It’s a high-energy track with his signature street-pop vibe, driven by a pulsating beat and his distinctive vocal delivery. It’s a song that captures the chaotic yet exhilarating energy of Lagos life.
Odumodublvck – “Pity This Boy”
Odumodublvck’s “Pity This Boy” is a gritty, unapologetic statement about his life as a young, rich, man who has to deal with women and black tax. This unique blend of rap, Victony’s vocals and traditional Nigerian sounds in the production creates a powerful, almost confrontational, sonic experience. This is arguably the best project that shows Big Kala’s raw talent and his ability to tell compelling stories from the streets.
Teni – “Money”
Teni returned to the top of our minds with a vibrant and relatable anthem about the universal pursuit of financial freedom in Money. Her powerful vocals and playful delivery shine through, making this an instantly catchy and feel-good track. It’s classic Teni – empowering, fun, and undeniably Nigerian.
Fola – “Lost”
Fola is one of the best gifts that the first half of 2025 has delivered to us. “Lost” is a beautifully crafted, introspective track that showcases his vocal prowess and songwriting depth despite being the new kid on the block. It’s a more mellow, soulful offering that provides a refreshing contrast to the high-energy bangers. The lyrics are poignant, and the melody is haunting, and a Kiss Daniel feature never disappoints, making it a perfect track for reflection.
Kunmie – “Arike”
Kunmie’s “Arike” is a delightful surprise. It’s a soulful, highlife-infused track that feels both nostalgic and fresh. His vocals are enchanting, and the instrumentation is rich, creating a warm and inviting soundscape. “Arike” is a testament to the enduring beauty of traditional Nigerian sounds blended with contemporary flair.
Fola & Bella Shmurda – “Dangbana Riddim”
“Dangbana Riddim” is a high-octane collaboration that brings together Fola’s melodic sensibilities with Bella Shmurda’s signature street-hop energy. It’s a track designed for the dancefloor, with an infectious rhythm and catchy hooks that will have you moving.
Chella – “My Darling”
Chella’s “My Darling” is one of those songs that you don’t need to understand the lyrics to get the message. A sweet, romantic tune that shows the artist’s vocals and ability to craft a charming song. It’s a track that blew up on TikTok and then the charts because it’s easy on the ears, perfect for a relaxed listen, and highlights the artiste’s potential as a rising star.
Falz – “No Less”
Falz brings his signature witty lyricism and fusion to “No Less.” It’s a track that blends his rap prowess with a groovy Fuji beat and the best 2nd verse in Afrobeats history. Its corresponding social media trend challenge highlights its impact on pop culture.
Seyi Vibez – Mario Kart
Another strong offering from Seyi Vibez, “Shaolin” continues his exploration of spiritual street pop. It’s a more laid-back but equally impactful track, showcasing his unique vocal texture and his ability to create a distinct atmosphere.
Lawrence Oyor – Favour
“Favour” by Lawrence Oyor stands out as a powerful gospel offering. It’s an uplifting and inspiring track that resonates with its message of divine grace. Its inclusion highlights the diverse sounds dominating the Nigerian music scene.
Kiss Daniel – “Al-Jannah”
“Al-Jannah” sees Odumodublvck in a more reflective, almost spiritual mode. While still maintaining his unique vocal delivery, the track offers a different side to his artistry, proving his versatility beyond the aggressive bangers.
2025 has been a testament to the Nigerian music industry’s dynamism. From the global dominance of Burna Boy and Davido to the consistent innovation of Rema and Asake, and the exciting emergence of new talents like Shallipopi and Kunmie, the soundscape is rich and diverse.
The collaborations are bolder, the storytelling is deeper, and the production quality continues to soar.
As we head into the second half of the year, one thing is clear: Nigerian music isn’t just making waves; it’s a tsunami, reshaping the global soundscape one hit at a time.
