In an unearthed video, famend Nigerian veteran actor Pete Edochie passionately recounted the true origins of highlife music, giving credit score to Ghana because the birthplace of the enduring style.
Edochie’s revelation challenges the claims by some that highlife originated in Nigeria, as he took time to acknowledge a number of key Ghanaian musicians who performed pivotal roles within the style’s evolution.
“All this music originated from Ghana. Why? In Nigeria, the favored style of music was highlife. The place did highlife come from? Ghana! That is the place it originated!” Edochie emphasised within the video, laying to relaxation any doubts about the place the highlife motion actually started.
He went on to chronicle a wealthy historical past of Ghanaian highlife legends, beginning with the influential E.T. Mensah, extensively considered the “King of Highlife,” whose melodies captured audiences throughout West Africa. Edochie additionally gave due credit score to the Black Beats of Ghana, led by King Bruce, whose rhythms set the tone for generations of highlife musicians to come back.
He additional acknowledged the contributions of Joss Aikins and his Broadway Dance Band, in addition to Jerry Hansen and the Ramblers Dance Band, each of whom had been instrumental in popularizing highlife throughout borders.
Persevering with his roll name, Edochie honored the legacy of Nana Ampadu and the African Brothers Band, CK Mann, EK Nyame, and plenty of others, who carried the torch and expanded the style’s affect.
Pete Edochie’s reflections function a reminder of the deep cultural impression Ghana has had on West African music and the world at giant, with highlife standing as a testomony to this affect.
The actor’s statements have reignited conversations on-line concerning the true origins of highlife and have helped deliver extra consciousness to the numerous position Ghanaian musicians performed in shaping this beloved style.
Whereas Nigeria undeniably performed a serious position in propagating highlife throughout the continent, Edochie’s recognition of Ghana as its origin has been met with widespread reward, notably from music lovers and cultural historians.
His acknowledgment of Ghanaian trailblazers not solely highlights the style’s roots but in addition cements the legacy of those pioneers whose music continues to resonate in the present day.
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